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  Andrew Meehan Curated Crowdsourcing: The Next Big Thing?
by Andrew Meehan
April 9, 2010

One flavor of crowdsourcing is crowd creation. Clients post a project briefing in a public place—say, a platform like 99designs.com or namethis.com—and wait for results to file in. Everyone who doesn’t win the client’s favor is essentially doing spec work: providing free thoughts, ideas, names or designs for the client’s review. Problem is, there’s value in this sharing. Agencies use client feedback to refine their work, iteration to iteration. Spec, the thinking goes, compromises the process at the expense of the agency, designer, and namer. The more clients that go the crowdsourced route, the less agencies get paid for these value-added processes.

 
 

While this makes the professionals quite cranky, freelancers, hobbyists, undergrads, and grads have just been given a golden opportunity to participate in a creative community, in a rudimentary feedback cycle, in a market that never existed before crowdsourcing platforms. Bad for established creatives, but good for hobbyists and neophytes.

And while many complain that crowdsourcing means too many off-the-mark entries to wade through, businesses like Genius Rocket, Kluster, Victor & Spoils, and a dozen others are evolving crowdsourcing to accommodate the pull of the market.

For example, once a client submits a template-driven creative brief, Genius Rocket’s Select service collects portfolios from its creative community (the crowd). It then drains the pool of designers until only the best suited remains. Genius Rocket is the curator, concentrating the talent of the crowd to fit the needs of the client.

How do you entice talent to enter the pool in the first place? Address a supply side problem: spec work is terrible. Genius Rocket introduced a tiered system: pass through the first round (say, the storyboard round); get paid. Pass through the second (the rough cut); get paid. Pass the third round (client feedback and edits); get paid. Pass the forth round, and you’ve won. Genius Rocket Select offers the economics of crowdsourcing (i.e. it’s cheaper) and the talent funneling of a job market (i.e. not everyone gets a first-round interview). Undoubtedly, Genius Rocket Select is going to be more expensive, as will agency-like Victor & Spoils (don’t quote me).

But that’s just the market doing its job. The ad world is competitive – price and performance tend to be tightly aligned. The price gap between agency work and curated crowdsourced work will continue to increasingly shrink as more agencies adopt the role of curator. But whether this will grow agencies’ client pie or merely prevent current clients from being gobbled up by crowdsourcing platforms, only time will tell. One thing you can expect – the dialogue between client and crowd is going to get a lot louder.

 
   
   Andrew Meehan Andrew Meehan is an Associate Consultant in Verbal Identity for Interbrand New York. He believes that branding and advertising are valuable components of economic progress, fostering competition and innovation in the marketplace.



 
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Curated Crowdsourcing: The Next Big Thing?
 
 Andrew, thank you for covering our GR Select service in your article. We have placed a sizable bet on the idea that crowdsourcing will show its brilliance through curation. In fact we hired, not a Creative Director, but a Curation Director to help clients not come up with ideas, but to filter ideas. There is wisdom in the crowds, and when it comes from so many underutilized creative artists around the globe, the wisdom is immense. The difficulty is really in sorting through the ideas. Large brand and small brands alike are changing the way they source creative content. We believe Curated Crowdsourcing is the most affordable way to source high quality content while maintaining control over who is creating for your brand.-Peter LaMotteEVP GeniusRocket 
Peter LaMotte, EVP, GeniusRocket - April 20, 2010
 
 Hey Andrew - nice summary of what's happening out there. You've picked up on some interesting trends. I'm tracking them closely on our side at www.myows.com. We're looking at solving legal (specifically IP protection) issues for the little guy - many of which are arising from just these kinds of scenarios. One thing's for certain, crowdsourcing is going to evolve way beyond what it is today and endless approaches, models and spin-off industries will be created - some of which will survive, others not so much. The changing creative landscape and the talent fragmentation we're seeing here is, in my opinion, a symbol of a deeper shift. I'm also really curious to start exploring the next chapter: managed creative networks. Curatorships are step one I reckon but this doesn't solve all the shortfalls nor does it create a neat way to guarantee strategic outcomes or foster collaboration. At least things are moving in a positive direction. So long big agencies from the 70s. Watch this space. 
Christopher Human, Brand director and tea lady, Myows - April 23, 2010
 
 Andrew, great post and summary of the evolution of crowdsourcing to a sustainable model where everyone involved wins.We've learned a ton of the same lessons on AdHack. From those lessons we've now built a Creative Curation Platform for brands and agencies to aggregate, curate, analyze and manage content.In one dashboard our clients see the latest analytics and activity on content from the open web -- Twitter, YouTube, Facebook and blogs -- as well as content from a specialized community of skilled professionals.They move assets between levels of curation, acquire rights to include the assets in their marketing mix, reply, revise and remix the assets as needed. All on-demand and in real time.If that sounds compelling, let's talk and get a demo scheduled. 
James Sherrett, Founder - May 18, 2010
 
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