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Announcing the 2013 Brandcameo Product
Placement Award Winners

Welcome to the annual Brandcameo Product Placement Awards. Since 2001, Brandchannel has tracked product placement and brand appearances in every film that spent a weekend at the top of the U.S. box office. And every year since 2004 we have honored the good, the bad, and the ugly (and the most) product placement in the year's #1 films in tandem with the annual Oscars frenzy.

So without further ado: our 2013, 9th annual Brandcameo Product Placement Awards, covering films released in 2012. The envelope, please...

2012 Award for Overall Product Placement
2012 Award for Achievement in Product Placement in a Single Film
2012 Award for Worst Product Placement
2012 Award for Product Placement Achievement in an Oscar-Nominated Film
2012 Award for Product Placement Achievement in a Foreign Film
2012 Award for Best Role in a Supporting Product Placement
2012 Award for Product Placement Impact
2012 Lifetime Achievement Award for Product Placement
2012 Award for Product Placement Adaptation
2012 E.T./Reese's Award for Achievement in Press Coverage
2012 Coca-Cola Kid Award for Product Placement Title
2012 Wayne's World Award for Product Placement Product Placement
2012 Award for Unwanted Product Placement
2012 Cleo McDowell "My Buns Have No Seeds" Award
2012 Award for Product Placement Production
2012 Forrest Gump Award for Achievement in Reverse Product Placement
2012 Award for Original Short

2012 Award for Overall Product Placement - Mercedes-Benz

Appearing in 29.4% of all box office #1s, or 10 of 34 films, Mercedes-Benz was 2012's most frequently placed brand by Hollywood, bumping Apple from top spot.

The brand's placements, much like the wild rides Hollywood directors often took it on, were all over the map. Think Like a Man and Taken 2 featured prominent placement of new models. (Oddly enough, despite numerous Mercedes vehicles in Taken 2, the logo was blurred out of all promotional clips for the Istanbul-set action film.) Act of Valor plopped in a background Mercedes. The Argo Mercedes was a Tehran-dusty, age-appropriate placement. Then there is 21 Jump Street, whose "greened" vintage Mercedes diesel ran on used cooking oil. Twilight's Cullen patriarch Carlisle drove a black S55 AMG. And only James Bond would drive a Mercedes as an airport rental, as Daniel Craig did in Skyfall. Mercedes made several other big-screen cameos in 2012, such as in Jack Reacher.

While Mercedes has never topped the annual brand count, it has never been far behind. Since 2001, Mercedes has been the fifth most common brand to appear in Hollywood's top films after Ford, Apple, Coca-Cola and Chevrolet. The brand is also getting aggressive about pursuing larger roles. After Taken 2, Mercedes is proving to be the badge for American-badass-in-Europe action with its major roles in the latest Bruce Willis hit, A Good Day to Die Hard. Mercedes reports that its placement in South Korean hit TV drama A Gentleman's Dignity (신사의 품격) has also generated positive attention for the brand.

Apple (which appeared in 8 of 34 #1 films in 2012, or 23.5%) was just two places behind Mercedes—but the brand's product placement dominance in Hollywood has waned. In last year's Brandcameo awards (for films released in 2011) Apple appeared in 17 of 40 (42.5%) #1 films. In 2009 it was in 20 of 41, or nearly 50% of the year's top films. Even in a low year, 2010, Apple was still in 30% of #1 films. Between 2001 and 2011, 129 of the 374 #1 films (34.4%) had Apple product placement. In fact, during that period, Apple products appeared in nearly twice as many top films as Sony. But look at 2012 and it's easy to see one reason Apple's placements are down and Sony's are up. The Vow, 21 Jump Street, Amazing Spider-Man, Think Like a Man and Skyfall were all #1 films produced by (you guessed it) Sony's studio, and all featured Sony products with nary an Apple logo or device to be found.

Even so, Apple was still a product placement powerhouse in 2012 in movies that didn't make it to #1. Wanderlust, The Three Stooges, The Dictator, What to Expect When You're Expecting, and This Means War all featured major Apple placements. Trouble with the Curve featured a female protagonist armed with her trusty Mac, pitted against against men whose laptops screamed Dell and Toshiba, while This is 40 might as well have been directed by Judd Appletow.

2012 Award for Achievement in Product Placement in a Single Film - Ted

With 38 onscreen products and brand references, Ted packed in Boston landmarks like Charlie's Sandwich Shoppe as well as brand-targeted jokes (e.g., Michelob) and pothead-beloved snack foods like Corn Pops. But from Bud in the club to Bud at the party, to Bud bottles used during the fight to Bud boxes used for moving to Bud's sponsorship of the scene's Norah Jones concert, more than anything Ted was awash in Budweiser logos.

Notably, 38 product placements is far less than last year's winner, Transformers: Dark of the Moon, which packed in 71 identifiable brands and products. (Transformers 1 and 2 in 2007 and 2009 combined for 125 products and brands.) It is also significantly short of previous year top counts like 2010's Iron Man 2 (64), 2008's Sex and the City (94).

Since we began tracking product placements in the #1 films back in 2001, the 38 identifiable products in Ted is the lowest count for a film with a year's most product placement. The reasons for this could be numerous. While off-screen tie-ins boomed, directors may be looking for less clutter on-screen. Alternatively, the rise of 3D format films like The Avengers (19) and The Amazing Spiderman (25) may be a factor. As we've noted, the visual demands on audiences when it comes to 3D may even discourage product placement.

2012 Award for Worst Product Placement - The Amazing Spider-Man and Bing

As with many years, 2012 had its fair share of bad and egregiously bad product placement. Incongruous on-screen brand cameos such as Subway in Wreck-It Ralph and Acura in Avengers are the stuff that gives the practice of product placement a bad name. But while even Heineken's role in James Bond had a few defenders, practically nobody came out to stand up for Peter "Spider-Man" Parker's choice of search engines.

Making Bing's forced Spider-Man placement worse was Microsoft's inability to spin the negative publicity to its advantage. Ironically enough, points out that in the comic book, Peter Parker uses Google as his search engine of choice. (A bit like how the film version of E.T. famously featured Reese's Pieces while, to this day, the novelization uses M&M's.)

Previous winners in this category include Green Lantern (Hot Wheels) and Wall Street: Money Never Sleeps (IWC).

2012 Award for Product Placement Achievement in an Oscar-Nominated Film - Argo and Kentucky Fried Chicken

When audiences follow the CIA's operative into Tehran in Oscar-winner Argo, the sudden appearance of Iranians chowing down on the Colonel's secret recipe is an unexpected sight. But it is historically accurate, as at least one reviewer has noted, and director Ben Affleck uses the mere appearance of the brand to say something about the complexity of the anti-American-in-spirit post-revolution Iran.

Other notable product placements in 2012 Oscar nominated-films include the era-appropriate Knickerbocker Beer in Django Unchained and covert BlackBerry usage in Zero Dark Thirty.

Previous winners in this category include The Help (Crisco).

2012 Award for Product Placement Achievement in a Foreign Film - Due West: Our Sexual Journey (一路向西)

China, like Bollywood, is quickly becoming a product placement powerhouse. A standout in 2012 was Hong Kong's raunchy Due West: Our Sexual Journey.

Throughout the month of its release, it was regularly a top-ten trending topic on the Weibo social network. An American Pie-like 3D raunchy romp, the chronicle of one guy's sexual journey from masturbation to brothels was not released on the Mainland but was readily available to stream online or buy on pirated DVD. And Due West bared brands as well as breasts. Apple computers and iPhones populated the story as did, oddly, Coors Light. From the brothels of Dongguan to camping on Hong Kong island, the "champagne of beers" was the choice beverage. Coors Light, by the way, launched in Hong Kong in 2005.

Previous winners in this category include I Know a Woman's Heart (我知女人心).

2012 Award for Best Role in a Supporting Product Placement - Xbox Kinect, Paranormal Activity 4

Last year saw a few brand names woven into movie plots. The neighborhood watch Trayvon Martin tragedy deep-sixed the box office hopes of The Watch, which saw Ben Stiller as a Costco manager whose murderous aliens troubles begin, and end, inside his retail location. The deal Ford cut with Think Like a Man saw the automaker's MyFord in-car entertainment system worked into a scene. It's unclear how The Dictator's "I clean semen out of laptops" Apple store and Nintendo Wii Terrorist 2K12 bits reflect on those brands.

But no film integrated a product quite as well as the fourth installment of the "found footage" Paranormal Activity franchise did with Xbox. And not only did the technology behind Microsoft's Xbox Kinect directly feature throughout the film, it had the benefit of being (kind of) true. In numerous YouTube posts, Kinect owners demonstrated how the stunt from the film was real. That's viral marketing you cannot buy (unless of course Microsoft paid for the placement).

Previous winners in this category include Zookeeper (TGI Friday's) and The Other Guys (Toyota Prius).

2012 Award for Product Placement Impact - Macallan and Skyfall

The jury is out on how the brands most associated with the latest Bond film—Heineken, Omega, Coca Zero—fared from their investments. But Skyfall has already produced a bounce for smaller products. The Royal Doulton Bulldog figurine on M's desk, and later bequeathed to Bond, sold out quickly (but you can pick it up on eBay for around $150.) And after Bond is treated to an erotic shave in Macau, shaving goods retailers reported 400-plus percent sales spikes for "cut-throat razors." (Shades of how The Avengers boosted shawarma sales.)

But no brand got more exposure than The Macallan whisky, which appeared in several scenes and was even called out by name as one of Bond's particular favorites. All the better, the placement didn't cost Macallan a (Money)penny. "When the final edit of the Skyfall came out our Macallan director was a little nervous about the drink being associated with the scene where Daniel Craig takes a dram then fires a gun—as obviously being an alcoholic beverage it is important for us not to be associated with violence, crime, and underage drinking," Lucy McQueen, the public affairs assistant for Macallan-owner Edrington Group, told brandchannel.

The Macallan had little input and no advance knowledge of scenes, though producers did ask for brand clearance. Without the official partnership, Macallan's options for a Bond tie-in were limited. The brand was a presence at Skyfall's rollout though; in Singapore and South Africa, Macallan was served at the swank Skyfall premier parties. The week Skyfall was released, search volume for the term "Macallan" increased 150 percent from its 2012 average. "Overall we have had a really positive response with the brand placement... it’s certainly raised our profile to perhaps a younger audience," said McQueen.

Front Row Analytics, the analysis division of Front Row Marketing Services, estimates the value of Macallan's appearance in Skyfall at $8.98 million. And that's just the theatrical value through January 2013. Front Row, which uses proprietary analytics to put a dollar value on eyeballs and other subjective criteria, further projects value of $473,647 (DVD / Digital) and $256,667 (future broadcast airings) for Macallan. But there's more.

"The brand value that Macallan has and will receive over the lifetime of the film, is unlike other product placements," said Eric Smallwood, Senior Vice President of Front Row Marketing Services & Front Row Analytics. As with Walther handguns and Aston Martin, Smallwood said, "This product integration has created an affinity and connection that is invaluable, which will forever link the single malt scotch to the Bond franchise and will live on for decades to come." Skyfall producers literally wrote Macallan into permanent Bond lore. Just a few months after Skyfall's release, Google "Macallan" and Bond references are first-page results.

One sidenote: the "50-year old Macallan" used in Skyfall is actually a 1962 vintage (25 year) that will run 007 fans about $2,600. A true 50-year Macallan bottle falls in the $7,800 range.

Former winners in this category include Mane n' Tail (POM Wonderful Presents: The Greatest Movie Ever Sold) and the American Museum of Natural History (Night at the Museum).

2012 Lifetime Achievement Award for Product Placement - Budweiser

What do film classics Another 48 Hours, About Last Night, Basic Instinct, Roxanne, Superfly, Tootsie and Ghostbusters all have in common? Budweiser product placement.

In the last dozen years, Budweiser has appeared in nearly one-fifth of all of the films that reached #1 at the box office. Budweiser and Bud Light's appearance in 87 of the 463 top films (18.8%) during that period make it the sixth most common brand, behind only Ford, Apple, Coca-Cola, Chevrolet and Mercedes. In all of #1 films since 2001, Budweiser was more likely to appear on-screen than Pepsi, Nike, or BMW. Audiences were 2.5 times more likely to see a Budweiser logo than one for McDonald's, and Bud appeared more than four times as often as Miller. Ironically enough, Bud's 2011 Super Bowl commercial (inadvertently) openly mocked Hollywood's overabundant Bud product placement.

It's unknown what Bud's first-ever movie role was. Despite the film's famous no-label products, 1984's Repo Man featured a Bud Light sign. Bud's placements are also international. Director John Woo's Hong Kong action classic The Killer is full of Bud, and even thanks the brand in its credits. If a movie has a scene in a bar—and many do—a neon Bud sign is to be expected. A few 2012 hits that featured Budweiser include Looper, Ted, Resident Evil: Retribution, The Dark Knight Rises, Jack Reacher and Contraband. No film saw more Bud labels, however, than Adam Sandler's 2012 That's My Boy. Front Row Analytics valued Budweiser's initial exposure in That's My Boy at $3,489,474, plus another $195,760 worth of exposure for Bud Light and Bud Light Lime— and that's before DVD and other broadcasts.

But Bud's appearances aren't just in booze-soaked fart-fests like Sandler's. Many an Oscar-nominated film features the brand. Best picture nominees The Fighter (2010) and Silver Linings Playbook (2012) both featured Bud bottles because, according to Cat and Adam Stone, partners at Stone Management that placed the Bud, the brand "fits in so many ways in the fabric of America." In stories about everyday Americans, they say, "Bud just plain made sense as an organic brand that the film's characters would drink."

Budweiser pays for some placements, though most are free and organic. When the placements are paid, they are almost always part of a more robust tie-in where Bud is a film partner. Case in point: Will Ferrell's film Semi-Pro, which saw placements for Budweiser onscreen and a tie-in campaign with Ferrell—in character as an absurd 1976 basketball star Jackie Moon—pitching Bud Light in commercials. ("Bud Light. Suck One.")

Also helping Bud win roles is its ready-to-go inventory of branded props a set dresser needs, like neon signs and pool table lights. Bud makes producers' jobs easier by delivering these assets quickly and efficiently, making Bud the "go to" beer for Hollywood. But more than that, the Stones say Bud's man in Hollywood, Anheuser-Busch Entertainment Marketing Director James Holleran, "is the perfect blend of savvy meets affable, and always makes working with Budweiser a great experience for all involved."

It is hard to name the greatest Budweiser product placement of all time. Tom Cruise is more famous for drinking Red Stripe in The Firm, but when Maverick and Goose lost all their love and feeling in Top Gun, they did it alongside a lot of Bud empties. The classic romp Cannonball Run sees Burt Reynolds land his airplane on a small town main street so that Dom "Captain Chaos" DeLouise can run in and buy a six-pack of Bud.

Previous winners in this category include Apple, Gatorade, Everlast and USA Today.

2012 Award for Product Placement Adaptation - Raisin Bran and Silver Linings Playbook

Last year's critically acclaimed, Oscar-nominated, feel-good romantic comedy highlighted a lot of brands, including Philadelphia's Eagles, AstraZeneca's Seroquel, Ketel One, Apple ("Who doesn't have an iPod?"), Budweiser and the curious case of the Hellmann's mayonnaise jar. But only two brands that appeared on-screen also appeared in the original novel by Matthew Quick: Raisin Bran and Budweiser.

From Quick's novel: "'I'm not supposed to drink,' I say when Mom distributes the bottles of Budweiser, but my father says, 'You can drink beer during the Eagles game.' Mom shrugs and smiles as she hands me a cold beer"; and, "When the raisin bran comes, I open the little single-serving box and pour the cereal into the bowl the diner provides free of charge." Notably, the novel uses the generic term "raisin bran" while the film's shooting script uses "Raisin Bran," with Post's Raisin Bran brand making it onto the screen.

The real-life Pennsylvania location ("Llanerch Diner") used for the film's Raisin Bran scene has seen interest skyrocket in recent weeks, particularly interest in the particular booth seen in the film. Ironically enough, when we called the Llanerch to ask which Raisin Bran the diner offered, we were told "Kellogg's." And yes, the diner had an Oscar-viewing party on Sunday night.

2012 E.T./Reese's Award for Achievement in Media Coverage - Skyfall and Heineken

Mentioning "product placement" and E.T. the Extra-Terrestrial, often prefaced by terms like "since" or "beginning with" in reference to Reese's Pieces, is a prerequisite for press coverage of product placement. This award goes to the placement receiving the most overall media attention in 2010.

With about 220,000 search results for "product placement" associated with it, Skyfall walks away with this award.

Notably, the Bond film Casino Royale won this award in 2007.

2012 Coca-Cola Kid Award for Product Placement Title - Ferrari Ki Sawaari

The 1985 film The Coca-Cola Kid celebrated one man's struggle with a Coca-Cola franchise. This award celebrates achievement not only in a branded film title, but also in fully integrating the title brand product into the action.

The core plot of India's Ferrari Ki Sawaari, a warm and humorous Bollywood film, involves a dad "borrowing" a Ferrari to fulfill his son's dream. Ferrari hijinks ensue, including a Ferrari-heavy musical number (above).

Previous winners in this category include Harold & Kumar Go to White Castle, The Devil Wears Prada, Because of Winn-Dixie, and The Lincoln Lawyer.

2012 Wayne's World Award for Product Placement Product Placement - That's My Boy and Ford Mustang (5.0)

The 1993 Mike Myers and Dana Carvey hit Wayne's World openly skewered product placement. This award recognizes achievements in winking at the entire embedded ad enterprise.

"Do you still have the 'Five Point Oh'?" That's the question asked of Vanilla Ice in 2012's Adam Sandler farce, That's My Boy. The duo then tears through town in the late '80s model Mustang 5.0. The gag was directed at Ice's hit 1990 song "Ice Ice Baby" which features the lyrics, "Rollin' in my five-point-oh" and a video with the rapper driving said Mustang. Worth mentioning is that an '80s-era Mustang also made an gag cameo appearance in 21 Jump Street, aping the original show's much cooler vintage model.

Former winners in this category include Sandler's Jack and Jill (Al Pacino's "Dunkin' Donuts 'Dunk Acino'") and The Joneses.

2012 Award for Unwanted Product Placement - Bud in Flight

"We have asked the studio to obscure the Budweiser trademark in current digital copies of the movie and on all subsequent adaptations of the film," read a statement from Anheuser-Busch in response to the brand's prominent appearance in the hands of an alcoholic pilot played, superbly, by Denzel Washington. The role won Washington an Oscar nomination, and AB InBev a massive hangover.

At least Bud can share the pain with Corona, Ketel One, Grey Goose, Absolut, Miller, Tanqueray, and Stolichnaya, the last of which also asked to be removed from later copies of the film. But this year's lifetime achievement honoree knows, you take the good product placement with the bad, and filmmakers are under no legal obligation to get clearances under "fair use." That said, Bud did manage to get its logo blurred out of a scene in The Hangover 2.

Previous winners in this category include The Gap (Crazy, Sexy, Love).

2012 Cleo McDowell "My Buns Have No Seeds" Award - SouthJet from Flight

The 1988 film Coming to America features a famous plot point pitting the Golden Arches and Big Mac of McDonald's against the Golden Arcs and Big Mick of "McDowell's." This award recognizes achievement in fake on-screen brands.

An uplifting ending is not enough to get the air under the product placement wings of any real-life airline when it comes to films depicting a crash. Flight's Southwest-Funjet amalgamated "SouthJet" airline is just the latest in a long line of fictional airlines you don't want to fly, including Oceanic (Lost / Executive Decision), Trans-American (Airplane) and Atlantic International (Passenger 57). That said, depending on your lifestyle, Snoop Dog's Nashawn Wade Airlines (Soul Plane) might be worth looking into.

Previous winners include "Frienderz" (The Roommate) and "Vericom" (The Town).

2012 Award for Product Placement Production - Looper

Heineken and other brands propped up the budget of Bond's Skyfall and Taiwan's cops and robbers action film Black & White Episode I: The Dawn of Assault saw nearly a third of its budget (about NT$100 million) come from a deal that ultimately placed Taiwanese automaker Luxgen's Luxgen7 SUV into major scenes. But Looper was a whole new animal.

Meant to be set in Paris, Looper producers switched one of the film's settings to Shanghai when Chinese partners came on board with an investment that more or less made the film possible. China's co-production officials allowed it to fall outside the nation's foreign film quota system. But re-setting the film in Shanghai also opened up some new product placement opportunities.

In versions of the film screened in China, extended scenes of the hero in Shanghai were added along with significant product placement of China's online retail giant Looper's leadership in the brave new world of recutting two versions of a film for U.S. and China audiences—such as with 2013's 21 and Over—may prove a way not just to maximize profits by bifurcating audiences but also by double-selling product placement opportunities.

2012 Forrest Gump Award for Achievement in Reverse Product Placement - Ted

Our personal favorite fictional product was the travel coffee mug collapsible bong from Cabin in the Woods. Judging by the number of online search queries, a real-life version would have a market, but production costs were too high to make it viable.

And while the Under Armor fan collection for The Dark Knight Rises football team Gotham Rogues was intriguing, the 16-inch, talking, plush teddy bear replica from Ted is easily the most successful reverse placement of 2012. When purchasing one ($84), be sure to pay attention as it's available in both R-rated and PG-rated versions.

2012 Award for Original Short - Kikkoman and Make Haste Slowly

Sometimes product placement just isn't enough and a brand decides to go ahead and make its own film. Branded entertainment is now more than a decade removed from the 2001 breakthrough BMW Films series, The Hire, starring Clive Owen.

In 2012 soy sauce-maker Kikkoman targeted foodies and took brand-produced filmmaking to a new level. The 24-minute Make Haste Slowly boasts high production values and an elegant, rich retelling of Kikkoman's 300-year history from feudal Japan to its labor practices at its Wisconsin plant to the fascinating design concept of its iconic bottle.

How We Do What We Do

A total of 34 films were #1 at the U.S. box office in 2012.

In those top 34 films of 2012 we spotted 397 identifiable (visible or mentioned by name) brands or products, or an average of 11.7 product placements per film. This average is the lowest in any year since 2001, with 2004's 13.4 products per film the runner-up. The total of 397 identifiable brands or products was also the lowest annual total, with the peak being 907 total placements spotted in 2005.

As always, it's worth keeping in mind that this average may be offset by films set in time periods during which placements would be few or impossible such as The Hobbit, Brave and Snow White and the Huntsman. 

The 2012 average of 11.7 products per #1 film continues a trend downward since 2005.

The average identifiable products-per-film tally since 2001:

2001 - 22.2 products per #1 film
2002 - 17.8 PPF
2003 - 18.1 PPF
2004 - 13.4 PPF
2005 - 22.1 PPF
2006 - 21.5 PPF
2007 - 20.7 PPF
2008 - 19.6 PPF
2009 - 17.5 PPF
2010 - 17.9 PPF
2011 - 17.8 PPF
2012 - 11.7 PPF

It should be pointed out that no two brand appearances in a film are equal, of course. Although counted in the Brandcameo database as one spot, the prominent Macallan placement in Skyfall is not equal to Jansport's passing placement in Twilight or Belstaff's easy-to-miss placement in Taken 2. Product placement remains a subjective, unpredictable—not to mention story- and character-enhancing, when done well—practice.

Take a look back at previous Brandcameo award-winners, and share your thoughts on this year's winners in the comments below.

Click here for the 2012 Brandcameo Product Placement Award Winners

Click here for the 2011 Brandcameo Product Placement Award Winners




Abram D. Sauer has written about brands and branding trends since 2001. Visit for more of his work on branding and product placement.

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Brandcameo 2013 Product Placement Award Winners
 As always a very informative look at brands appearances in movies, the good, the bad and the ugly. However, it would be interesting to note that as an extension of the film, surely some value should be attributed to the exposure the brand receives appearing in the poster as well as the production still. More people will be exposed to the posters as part of a studios international marketing plan than will the see the movie. Of the 7 number-one movies that Belstaff appeared in last year, 4 movies including Twilight, Dark Knight Rises, Bourne Legacy and Skyfall featured the principle characters wearing the Belstaff pieces on the global poster campaign. In addition it would be interesting to see an award for the brand that maximises it's product placement through associated activity. 
Darryl Collis, Director, Seesaw Media - April 4, 2013
  brandchannel home archive   2013  |  2012  |  2011  |  2010  |  2009  |  2008  |  2007  |  2006  |  2005  |  2004  |  2003  | 2002  |  2001
Dec 30, 2002 Are Books Bound by Their Brand? -- Edwin Colyer
  Some authors have strong brands, but how many of us choose a book by its publisher?
Dec 16, 2002 Has Gen X Fallen Through the Cracks? -- Vivian Manning-Schaffel
  Generation Y appears preferable to Gen X for brand owners and advertisers pitching their wares. Should we mind the generation gap?
Dec 9, 2002 Can Small Businesses Sprout Big Brands? -- Edwin Colyer
  Small or large, every business has a brand, and the ability to use it to its advantage.
Dec 2, 2002 Anti-Globalists v. Big Brands: Who is Going to Win? -- Randall Frost
  Is there a win-win solution between the anti-globalists and big brands?
Nov 25, 2002 Milking the Organic Market -- Erin Speiser Ihde
  Organic brands are positioning themselves as an alternative for health-conscious, socially responsible consumers. The challenge? Milking a higher price.
Nov 18, 2002 Branding Drugs for a Market of One -- Edwin Colyer
  As pharmacogenomics surface on the horizon, how can pharmaceuticals market efficiently to tiny patient groups?
Nov 11, 2002 Can Japanese Brands Go Global? -- Randall Frost
  Why don't Japan's brands have a stronger presence outside of their local markets?
Nov 4, 2002 The Key to Branding (and Financial) Success -- Vincent Grimaldi de Puget
  How to make your brand rise above the background noise in spite of limited resources, and contribute to improving your company's bottom line.
Oct 28, 2002 Branding the Bush -- Ron Irwin
  Making a killing on eco-tourism.
Oct 21, 2002 Barbie Goes to Court -- Ed Meikle
  Barbie flexes her muscles in the wake of defamation.
Oct 14, 2002 Keep Your Brand Clean -- John Karolefski
  How to prove your innocence during a threat of guilty by association.
Oct 7, 2002 HELP WANTED: Top Talent Apply Within -- Dale Buss
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Sep 30, 2002 Chefs Acquire a Taste for Branding -- Jocelyne Henri
  Creating a brand à la mode with France's pastry brands, Pierre Hermé, Dalloyau and Ladurée.
Sep 23, 2002 Putting Out the Fire: Managing Through Crisis -- David Liss
  Steering your brand through disaster.
Sep 16, 2002 Cutting Costs: Resource Management All in One Tool -- Fiona Harvey
  Is resource management resourceful thinking?
Sep 9, 2002 Fire Drill: Preparing for Crisis -- David Liss
  Are you ready to protect your brand when disaster strikes?
Sep 2, 2002 Can Dead Dot Coms Be Reincarnated? -- Brad Cook
  Is there value left in the dead brands of generically named dot coms such as pets, wine, and eToys.
Aug 26, 2002 Commodities: Branding the Basics -- Eric Mirabel
  How do we go about turning a commodity product or production capability into a new brand? We look at the Middle East, a transitioning market where manufacturers are branding commodities.
Aug 19, 2002 Brands in Toyland -- Ron Irwin
  Is branding in the toy world just child’s play? We look at how traditional brands like LEGO and Brio stand up to the dazzlingly high-tech competition.
Aug 12, 2002 Long Live the King -- John Karolefski
  Young and svelte, bloated and strung out, Elvis had universal appeal throughout his short lifespan. The king may be dead but apparently the brand lives on.
Aug 5, 2002 IBM Navigates the Biotech Maze -- Edwin Colyer
  IBM Global Services is expanding to a variety of areas like its recent acquisition of PwC Consulting. We look at how a brand like this penetrates the life sciences market.
Jul 29, 2002 Do Nonprofits Have Value? -- Robin Rusch
  As we unveil Interbrand's league tables of the world's most valuable brands for for-profit brands in 2002, we ask, Is there value in a nonprofit brand?
Jul 22, 2002 Trials and Tribulations of Global Naming -- Ed Meikle
  We look at recent trademarking issues from PricewaterhouseCoopers’ Monday to Philip Morris’s Altria and discuss the basic guidelines for domain name registration disputes.
Jul 15, 2002 Successful Start-ups Launch with a Brand -- David Liss
  Why do some start-up brands fail where others succeed? When should one begin to think about the brand in the entrepreneurial process?
Jul 8, 2002 Pushing Product: Is In-Store Promotion Effective? -- John Karolefski
  Is in-store marketing effective or just more clutter separating us from our favorite brand of ice cream?
Jul 1, 2002 Shopping Through a Recession: How Will Luxury Brands Survive? -- Dale Buss
  How are luxury brands faring in the aftermath of September 11 and the past year of recession?
Jun 24, 2002 Lawless Branding: Recent Developments in Trademark Law -- Ed Meikle
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Jun 17, 2002 Prescribing a Global Identity -- Edwin Colyer
  The pharmaceutical industry has been wary of promoting big, international brands, but is it better to stay local or go global?
Jun 10, 2002 Positioning: The Missing Piece in the Tech Sector -- Rob Gelphman
  Brands in the tech sector need to work on their positioning.
Jun 3, 2002 The New CCO: Delivering Customer Care -- Dale Buss
  In a recession, suddenly everyone cares about attracting the customer. Enter the Chief Customer Officer.
May 27, 2002 Ambush Marketing Steals the Show -- Abram Sauer
  Competition is heating up as sponsoring brands of the World Cup and other global sporting events struggle with ambush marketing.
May 20, 2002 Time Release Branding -- Edwin Colyer
  New pharma needs to launch with a bang. But at which stage beyond molecule is it time to start the branding process?
May 13, 2002 The Sport of Naming -- John Karolefski
  Naming rights for sports stadiums may be big business but are they sound business?
May 6, 2002 Private Labels: Does Branding Matter? -- Robin Rusch
  Can private labels be considered brands? What threat do they pose to brand owners?
Apr 29, 2002 Multimedia Makes the Grade -- Kim Barnet
  Can the education industry learn how to harness multimedia to create new tools and improve its overall brand image?
Apr 22, 2002 Franchising in China: A Dead Duck? -- Edward Young
  The rush to franchise in China may be faster than the drive-through at McDonald's, but the results are not always favorable to the brand.
Apr 15, 2002 Bottled Water Floods the Market -- John Karolefski
  Megabrands Groupe Danone and Nestlé lead the bottled water market. But as new markets rise, so do the stakes. Who will win the latest water war?
Apr 8, 2002 Can Branding Save the World? -- Ron Irwin
  Ben & Jerry’s, Avon and Patagonia all engage in cause-related or values-led marketing. Is it a justifiable endeavor or just a feel-good makeover?
Apr 1, 2002 Can Gap Mend Its Brand? -- Vivian Manning-Schaffel
  At one time, Gap had the retail clothing market sewn up. Now it struggles against sister brands Banana Republic and Old Navy.
Mar 25, 2002 Is China's Film Industry Overexposed? -- Edward Young
  As Kodak loses its agreement to manufacture film in China, are local brand Lucky and global giants Fuji, Konica, and Agfa-Gevaert ready to leap in?
Mar 18, 2002 Offensive But Effective? -- Edwin Colyer
  Campaigns for brands like Benetton and FCUK certainly get our attention, but what are they doing for the brand?
Mar 11, 2002 Mortal Brands: Continuing the Legacy -- John Karolefski
  What happens to a brand when its spokesperson literally dies? As Wendy’s re-evaluates its strategy, we look to other branded icons for some hints.
Mar 4, 2002 Apple Shines: Brandchannel's 2001 Readers' Choice Award Results -- Robin Rusch
  What do Apple, Nokia, Volkswagen,, Absolut and Starbucks have in common? Brandchannel's 2001 Readers' Choice survey results are here.
Feb 25, 2002 Has Your Brand Become Generic? -- Stephen Gardner
  What happens when your brand name is part of the public domain? We look at names that have gone generic.
Feb 18, 2002 Zero Percent Brand Management? -- Dale Buss
  Are American automakers trailing behind their overseas counterparts when it comes to managing their brands?
Feb 11, 2002 Conquering New Grounds -- John Karolefski
  Starbucks serves up a fresh brew around the world, but are non-Americans ready to wake up to this powerful brand?
Feb 4, 2002 MTV: 360 Degrees 24/7 -- Vivian Manning-Schaffel
  With a reputation like MTV, the pressure to score high in new media is huge. Is MTV able to give its audience what it wants… online?
Jan 28, 2002 Penetrating the Birth Control Market -- Katherine Daniel
  From legislation to disease, contraception manufacturers focus the brand on mundane subjects and leave out the best part: the sex!
Jan 21, 2002 Brand Mobility: Telecom Operators Turn to Handsets -- Edwin Colyer
  Will cellular service brands eclipse the big cellphone brands? Don't hang up on Nokia, Ericsson and Samsung just yet.
Jan 14, 2002 Is Your Brand Everlasting? -- John Karolefski
  We check in on 2001's fallen icons and ask why some stay strong and prosper, while others wither and die.
Jan 7, 2002 Will Online Rx Get Easier to Swallow? -- Edwin Colyer
  As pharmaceuticals struggle to get doctors to take their medicine, they ignore the valuable branding resources available on the web.