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  Can IKEA's Dominance Be Disassembled?   Can IKEA's Dominance Be Disassembled?  Edwin Colyer  
         
 
Can IKEA's Dominance Be Disassembled? Each week in the UK, millions go out and buy paint, wallpaper, and paste, then select the latest styles in unassembled furniture—all to fulfill the dream of transforming their houses and apartments into beautiful homes.

The reality—missing screws, ambiguous instructions, and lopsided shelves—fades the dreams a bit, but it never dies. Despite the aggravation and setbacks, it won't be long before the customer is off to the store again.

IKEA probably has some of the most loyal customers—many of whom visit the store just to look around and take in the "ambience." In fact, some of IKEA's customers go beyond loyalty and into fanaticism. People will drive for miles to visit the nearest store. Some will queue outside a store's grand opening for hours—even days. They put up with the heaving crowds—which sometimes can get out of hand—and the self-service warehouse.

IKEA's displays must really be something special. Certainly, a lot has gone into their design, says Claudia Struzzo, deputy marketing manager for the company in the UK. "The amount of work behind our product development is extensive. For example, some may involve a child psychologist. We conduct studies across countries to see how people really do use their kitchens, living rooms, and bedrooms. And we try to predict future trends, too."

But the real attraction of IKEA is its brand promise to provide well-designed, quality products at affordable prices. IKEA represents the "democratization" of Scandinavian design. "I think we deliver on our promise," says Struzzo.

"Most home interior and DIY brands tend to be based on a rather rational proposition: it is about the range," she continues. "Have a big enough range and everyone will like you because you will cover a wide spectrum of functionality and tastes. We think our combination is unique in the market. There are lots of competitors in the UK. Argos competes on low price, Habitat on design, but none on the three aspects of design, functionality, and low price. The big DIY chains like B&Q and Homebase don't have everything under one roof. They are still behind in home-furnishing knowledge—that is, how to furnish a room that goes beyond the obvious. They are missing the inspirational side to their stores."

 
Iain Ellwood, head of brand strategy at Interbrand's London office, concurs. "IKEA was the first mainstream furniture retailer to create 'room sets' that allow the customer to imagine the full brand experience—even down to the vases or books you might have on the shelves," he says. "It paints a highly aspriational image that customers find very seductive, even though they know that they are not buying the 'full stage' but possibly just a table or set of chairs."

Another Four-Letter Word in Furnishing
Now enter ILVA. It sounds a bit like IKEA, and with its brightly colored four-letter logo, perhaps looks a bit like IKEA, too. Yet ILVA claims that it is a "different kind of home furnishing store" that "offers a wide range of quality furniture and accessories at affordable prices. It aims to set trends within home décor and provide inspiration for shoppers in an enjoyable shopping environment."

What makes ILVA different, claims Colin Haggerty, chief operating officer for ILVA in the UK, is indeed the store itself. Learning from IKEA's pioneering work, ILVA makes furniture shopping a brand experience. "We make the store environment a part of our brand," Haggerty says. "The glass, stone, and aluminum are part of the brand proposition. There is lots of space and air, it is not claustrophobic, and you can walk around however you want," meaning—unlike IKEA—you're not directed by arrows on the floor and walls to force the visitor through the entire store during each visit.

On the contrary, Haggerty says, "It is done in a room-set format that follows the catalog so it feels like you are walking through our catalog. We think about everything from the wood flooring to the music and the Danish restaurant—there aren't many of those in the UK. Customers come for the experience, and once they've been to our store they do seem to come back."

Customers are not the only ones taking notice. "ILVA is a big competitor for us in Scandinavia, where the market for Scandinavian design is much larger," Struzzo concedes. "We are not so arrogant as to underestimate them, but we are not too worried, either. Their proposition is still quite niche. ILVA is trying to tap into exclusivity, whereas IKEA is a brand for all people. We want to be inspirational for the everyday."

Haggerty disagrees with Struzzo's perception of the ILVA brand, however. "The success of ILVA is predicated on giving people the opportunity to buy luxury items at affordable prices," he states. "We don't want to be exclusive. We want to provide a complete range of products for all tastes and price brackets."

But in a country where a little piece of IKEA seems to have entered every household, customers seem a little confused so far. "The main players are using branding to define a territory or idea in consumers' minds," says Interbrand's Ellwood. "IKEA is democratic design; Habitat is edgy global influences; SCP is a patron for talent. ILVA, however, is struggling to define both what is relevant to their customers and differentiating from other brands."

 
"ILVA may well sit neatly between the IKEA and Habitat price points but it has so far failed to distinguish itself in the customer mind," he continues, although only three stores have opened in the UK to date. "In their minds, it is simply a more expensive version of IKEA—rather than a higher-quality version of IKEA or a better value version than Habitat or Heal's. Customers have struggled to cope with two Scandinavian furniture brands and understand why they would be different."

Haggerty blames the media for initially lumping ILVA with IKEA just because it is Scandinavian. "Some people are saying ILVA is IKEA for grownups; the place you go to after IKEA," he says. "But we do not want to be pigeonholed that way. What I would say is that no matter what age you are or price bracket you are looking for, you can come here and find something. We are quite different from IKEA—we don't do bathrooms and kitchens, for example—and they have a very limited range in upholstery. We are not an alternative but complementary. And we find that as soon as someone comes into our store they say they will never compare us to IKEA again."

ILVA has plenty of marketing experience in its ranks, so it should be able to carve out its market in a sector that is ripe for consolidation. Executive chairman Martin Toogood was formerly chief executive of Habitat and B&Q and a director of Heal's. Haggerty, as chief operating officer in the UK, has over 20 years of retail experience at B&Q, Superdrug, and Marks & Spencer, and has opened well over 100 stores in the UK. Indeed, part of ILVA's brand promise, according to a press release, is its leadership, although the consumer may not immediately identify this less visible element as a compelling reason to visit.

Certainly, ILVA will have to work hard at its brand awareness—and find out the best way to tempt new customers. Somehow ILVA has to convince consumers that Scandinavian décor is not synonymous with the Swedish giant, and that ILVA is not—like KIRP and HÅLL—the name of another set of IKEA shelves.     

[23-Apr-2007]

 
  
  

Edwin Colyer is a science and technology writer based in Manchester, UK.

     
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