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  Air Sick: Brands That No Longer Fly   Air Sick: Brands That No Longer Fly  Barry Silverstein  
         
 
Air Sick: Brands That No Longer Fly For the consumer, delays are only part of the story. Flights are cancelled without explanation, lost baggage claims are skyrocketing, customer service is laughable, and near misses on airport runways are increasing. And don’t even try to ask a traveler about airport security.

Is it any wonder, then, that airline brands are suffering? It’s a telling lesson of how an industry’s plight can permeate consumer perceptions of each and every brand in that industry.

 
In the crowded US market, airline brands are so prolific they have become commoditized. There are too many airlines offering too many similarly-priced flights to and from the same destinations. That is at the heart of the brand dilemma. Barry Schwartz, in his book The Paradox of Choice: Why More Is Less, says: “As the number of choices grows further, the negatives escalate until we become overloaded. At this point, choice no longer liberates, but debilitates.”

It is not at all surprising, then, that five of the top six US airlines have been bankrupt, the only exception being Southwest.

Southwest has survived because it was the first US airline to create a “category of one” brand, challenging the traditional carriers with a low-cost, high-value product. The Southwest strategy: use less expensive secondary airports, abandon assigned seats, and eliminate frills—all to deliver extremely low fares. And the airline’s employees actually seem to have fun. Southwest succeeded in building a brand that looked, felt, and flew differently from other carriers.

Then along came JetBlue. It used Southwest’s low fare model, but changed the brand equation with differentiating, upscale twists: paperless tickets, new planes, leather seats, free seatback satellite TV, on-time performance, and superior baggage handling.

For a while, Southwest and JetBlue flew above the fray, but even they got sucked into the industry’s bad airstream. In December 2005, a Southwest plane skidded off a runway, killing a 6-year old boy. In February 2007, JetBlue suffered a public relations meltdown because of one of its jets sitting on the tarmac too long. The brand was so maligned by the incident that the airline overhauled its procedures and its CEO resigned.

Why should any consumer be loyal to an airline brand? What is the advantage of flying one airline over another if they all basically look the same, provide the same service (or lack of it), fly to and from the same places, and offer the same prices? All of them are subject to the same delays caused by bad weather and over-crowded skies. Even the frequent flyer programs have become the same: Airlines typically make only a limited number of seats available to frequent flyers, so it’s more and more difficult to redeem points for desirable flights on any carrier.

Airline brands have actually created a technique to discourage brand loyalty. It’s called code share. The consumer can book a flight with, say, Northwest, only to find out that the flight is actually run by KLM. Originally, it seemed like a good idea—one airline cooperates with another airline when the first airline doesn’t fly the second airline’s route. It makes sense particularly when a US airline code shares with an international airline to expand its network globally.

But now, because airlines urgently need revenue, they’ll sell tickets to code share partners’ flights. So code share has become a marketing technique to make more seats available to passengers, regardless of the airline. This doesn’t sound too bad, but the consumer can get caught in the middle. An unaware consumer could show up at one airline’s terminal, only to be directed to another airline’s terminal. If there’s a reservation problem, the airline that sold the ticket is responsible, but a lost bag must be handled by the carrier airline.

Air travelers may feel queasy about an airline brand that is in, or just exited, bankruptcy. The industry’s mergers and acquisitions can make a consumer’s head spin. Take the case of US Airways. Started in the late 1940s as All American Airways, it was renamed Allegheny, acquired Mohawk, became USAir in 1979, acquired Pacific Southwest and Piedmont, became US Airways in 1996, started and then abandoned a brand called MetroJet, and finally merged with America West in 2005, retaining the US Airways name.

And then there are the poorly conceived airline brands, such as Delta’s ill-fated Song, that are launched with a big fanfare and then fizzle fast. What kind of brand impression does that create?

 
Worldwide, airline brands are not nearly as confusing. Most countries control or own the national airlines, so there are less brands. In countries where competition is allowed, upstart airline brands have kept the government-backed brands honest. In Ireland, for example, low-cost carrier Ryanair captured 30 percent of Aer Lingus’ sales in its first six years. Aer Lingus was forced to respond by itself becoming a low-cost carrier.

Virgin Atlantic has been a worthy competitor of British Airways in the United Kingdom. Now it has spawned one of the newest US airline brands. In August 2007, Virgin launched Virgin America, a low-cost airline that, much like JetBlue, boasts something a little different. Its new planes include mood lighting and a seatback entertainment system that offers satellite TV and radio, as well as video games, a playlist of thousands of songs, and the ability to text message other passengers. The new brand may also be banking on the reputation of its rakish founder, Richard Branson, to give it panache.

Still, Virgin America will be flying right into the storm. It is entering the business at a time when most airline brands are losing their lift—and consumers have been left wondering if decent air travel will ever get off the ground again.    

[12-Nov-2007]

 
  
  

Barry Silverstein has been a frequent brandchannel contributor since 2007. He has thirty years of advertising and marketing experience and is currently a freelance writer and marketing consultant. He founded and ran his own direct marketing agency and held executive positions with Epsilon, a leading database marketing firm and Arnold, a major ad agency. Silverstein is the author of three marketing books, including the McGraw-Hill book, The Breakaway Brand, which he co-authored with Arnold CEO Fran Kelly.

     
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Air Sick: Brands That No Longer Fly
 
 i feel like your article was more waffle than actual content. What is your point? And what is your solution? Your initial question can airlines win back lost consumers? I think so take JetStar in Australia. It received hellish customer feedback but is now more successful than Virgin Blue. They have had numerous bad incidence yet have retained a massive market share. Airlines here in Australia have character and we identify with them. The US market is clearly different.

 
John, Student, UniMelb - November 12, 2007
 
 I think the question was: Within their current context, how do airline brands stand out? Two ideas: Design my experience to be something special and clean up your act. Stephen Bayley: "Once, flying was an exotic experience; now, not only is it mundane, but the damage it does to the environment is insupportable." 
Michele Champagne, Designer, Interbrand - November 12, 2007
 
 The piece is a tad disappointing. The subject of sheer commoditisation in the airlines sector isnt new, what one expected was much more insightful causes and possible directional solutions. At the end of the piece, one is not very clear what the author wanted to communicate really. 
Yogi Vashishta, Head- Brands, Reliance - November 13, 2007
 
 Exactly, what is your point? Any studies to back it up? It almost sounds like air travellers are anti-brand. The folks who can afford branded travel charter their own jets which leaves the rest of us to check the cheapest deal with the shortest layover on Expedia. Having lived outside the US most my life, the first move US airlines need to do is get younger staff who enjoy their jobs. Actually, there are many improvements that can be made at all airlines but because of regulation there is little to distinguish one airline from the next. And frankly, air travel is a chore so it is difficult to make the experience enjoyable thereby building a positive connection to the brand. 
John, MBA - November 13, 2007
 
 A very tricky situation indeed. The only way to step-up your brand appeal is by going in for innovation which will invariably raise the ticket-price and if you want to flaunt a lower price-tag as your only USP you have got to be bare-basic. Now there's always a 'minimum' of being a plain-vanilla service provider which is very easy to match for the competition. Only option seems to be out there is better utilizing the resources you already have. For example, if the same usual grumpy guy at the counter of a low-cost airline listens to a customer with a tinge of smile, or if there's a little sense of humor at the brand touch points, chances are you can make a difference without any further investment [and maybe this is one attribute not very easy to simulate for everyone]. 
Rohan, A marcomm design strategist based in India - November 13, 2007
 
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