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Obviously, it's France. Or is it? Maybe it's the inveterate brands of Italy that fit the above description. It could even be the Napa Valley, what with its country's penchant for global expansion. Could it be Chile, or some other global upstart, like Argentina or South Africa? Even the most novice of consumers has perused tony wine lists and gawked at vintages from all of the aforementioned. But would you believe that the answer lies in none of the above?
Would you believe it's Australia's wine industry that has award-winning vineyards in Bordeaux and Burgundy, in Verona and Tuscany, taking notes on how to bring critically-acclaimed, affordable wines to the vast global market?
Well believe it. Truth be told, this isn't shocking news to many of the critics who drive the global wine market, nor is it to many of the world's more well-heeled palates. Certainly this is not news in the UK, where Australian brands have been displacing many French staples.
The Australian Wine and Brandy Corporation and the Australian Wine Export Council, two industry-funded organizations that oversee the country's export program and regulate the quality of the product that is shipped, report that wine exports have grown in value from AU$10 million (5.7M euros/US$ 5.08M) in 1985 to AU$ 840 million (477.5M euros/US$ 427M) in 1998. The industry achieved its objective of reaching AU$ 1.5 billion (900M euros/US$ 800M) in export sales by the end of 2000, and it has set the ambitious goal of AU$ 2.5 billion (1.4B euros/US$ 1.3B) in export sales by 2025. Current growth projections suggest that the end result may be considerably higher.
Currently, Australia exports over 27% of its total wine production. Going forward, the industry objective is to move 50% of the country's product overseas by the year 2025.
The Australian Wine Industry's auspicious ascent comes at a time when global analysts are predicting a trend of consolidation in what has become an increasingly fragmented industry, what with the emergence of brands from cultures as disparate as China and South Africa. Last year, Foster's Brewing Group spearheaded the consolidation movement with the ambitious purchase of Beringer Wine Estates (US) for the sum of AU$ 2.6 billion (1.5B euros/US$ 1.3B).
Wine is not necessarily what one thinks of when mulling the Foster's brand. The typical consumer is apt to associate the Melbourne-based company with its eponymous beer brand and its pithy, exported tagline: "Foster's: Australian for beer."
The Beringer acquisition, however, is not Foster's first foray into the wine world. In 1996, it purchased Mildara Blass, a leading Australian wine brand, for AU$ 600 million (341M euros/US$ 305M). The motivation for the move into wine stemmed from the maturing of Foster's beer market: while its brands dominated the domestic market and made Foster's the fourth largest brewer in the world, there seemed little room for further growth. In search of another growth engine to propel the company into the twenty-first century, Foster's turned to the growing premium wine market, and given the high multiples on the prices of wine companies, the company determined that there was tremendous room for growth in that niche of the beverage industry.
For that growth to be actualized, Foster's would have to rely heavily on the export market. After all, Australia is not a country that is overrun with people; dominating its own market (which in itself is no easy task in light of stiff competition from the BRL Hardy and Southcorp brands) would not suffice. Rather, Foster's would have to move on the overseas momentum of the Blass brands. Ideally, they would have to channel that momentum into the brass ring of all markets, the US, where 185 million adults serve as potential customers.
With the Blass brands surging throughout a well-established distribution network in Europe and growing rapidly in the voluminous US market, Foster's was able to generate enough capital to make the Beringer acquisition possible.
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Now that the acquisition has gone through, Foster's is truly a global brand; prior to it, 90% of the company's earning and assets were in its homeland. What's more, Beringer has achieved 17% growth rates in the US market in recent years. Because Beringer and Blass occupy similar niches in the wine market, the acquisition was seen as the perfect vehicle through which the Blass brands could be further channeled in the US.
While Foster's exports more than 50% of its Mildara Blass wines, Beringer wines have much less international exposure, as only 4% of the Northern Californian company's yield is exported. Foster’s is counting on growing the Beringer brand overseas via the established Blass distribution channels.
"Mildara Blass had a much stronger network than Beringer did outside of the US, primarily because the US industry is Beringer's market," explained Brian Hilliard, director of import marketing for Beringer-Blass Wine Estates. "The global demand for Californian wines hasn't been as significant as it has for Australian, French, Italian and Chilean wines. But there are clear opportunities for distribution penetration for the Beringer brand outside of the US, particularly in the UK."
Hilliard says the US is becoming a much higher priority for every global wine company. And though no one can doubt the expanse of the US market, to say nothing of that country's disposable income level, there are nuances to American culture that intensify the competition among the many imported wines vying for market share. For starters, 80% of the wine consumed in the US is homegrown. What's even more disconcerting for imports is that America is not a great consumer of wine per capita.
"Americans still aren't the biggest of wine drinkers, yet everyone is trying to sell more wine here," opined Jan Stubin, who works with the Australian Wine Bureau, an arm of the Australian Trade Commission. Stubin's office is charged with promoting Australian wines throughout the US. Though her tone is hardly pessimistic, there is a marked sense of reality that curbs her enthusiasm over the fact that Australian wines have far outpaced other imports in the US of late. "We're not a wine-drinking nation. We don't have a wine culture, even though we do have a large wine industry here."
Stubin points out one statistic that underscores both her point and the broad challenge wine marketers of all stripes face in the US: 11% of the population drinks 88% of the wine.
John Gillespie, president of the Wine Market Counsel, based in the San Francisco Bay area, conquers. "If you look at adult per capita table wine consumption in the US, it's hovering around 2.5 gallons (9,5 liters) a year, per adult. It's more than twice that in Australia and the UK, and eight or nine times that in France, Italy and Spain. The US market, while it is large and wealthy, has a long way to go in terms of development as a wine-consuming nation. There's a lot of work to be done in this market."
There's probably a wealth of speculation to explain America's relative passive interest in wine. It certainly isn't that the US is an alcohol-adverse culture. Nor are Americans unwilling to gravitate to imported beverages (witness the explosion of the imported beer market in the past decade). Beringer's powerful distribution lines will help Blass brands reach those who currently consume. But the real profits are to be made by turning the expanse of alcohol consumers into wine consumers, or at least part-time wine consumers. Accomplishing that, as history indicates, may or may not be possible. [29-Oct-2001]
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Nick Thornton is a freelance writer based in Stamford, Connecticut.
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Aug 20, 2001
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Brand on the Horizon -- Ron Irwin
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Kellogg may be number two in the cereal wars with General Mills, but as Avis taught us, being number two sometimes means trying harder.
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Jul 2, 2001
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Sick of Ads? -- Nick Thornton
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The Italians and Canadians are breaking new ground in the quest for acceptable ad space. But is a hospital a healthy place to build your brand?
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Jun 25, 2001
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Brands Get the Blame -- Ian Cocoran
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Is all publicity good publicity? Studies show that people do buy with their conscience, and brand owners are proactively starting to take notice.
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Apr 9, 2001
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A 'Real' Steal -- Edward Young
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Intellectual property protection is becoming big business in China where no brand is safe from replication.
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Mar 5, 2001
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Smoke & Mirrors -- Nick Thornton
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Are tobacco transnationlists sinners or saints? Your view may depend on the tobacco marketing laws in your country.
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