When VH1 got started way back in 1985, the cable TV network followed right in the footsteps of its sibling MTV, although focused its efforts at an older demo. While MTV (short for Music Television) scored big with tunes for adolescents and young adults (Men at Work, anyone?), VH1 (an acronym for Video Hits One) was going for the slightly older crowd, playing music videos featuring the likes of Elton John, Donna Summer, and Rod Stewart.

The thirst for an endless stream of music videos on both Viacom-owned channels came to a halt only a few years into their collective existence and shows with varying levels of quality were cranked out. VH1 scored hits with the annotated Pop-Up Video series, the gossipy tell-all bio series Behind the Music, and the artist-centric VH1 Storytellers. The music in both brands has consistently been drowned out since then with a slew of other programming, inspiring the perennial plea by boomers to bring back the music to MTV and VH1 (season three of IFC's Portlandia kicked off with a plotline to take back MTV from tween with its original VJs and news anchor, Kurt Loder.)

VH1, for one, has decided to indicate that shift with a change in its logo (or as the company likes to call it, "tagmark"). 

As announced at the TCA TV Critics Association press tour, VH1 is kicking off the new year by adding a plus sign to the end of its logo, to reflect the changes in the digital world — meshing together the network’s music, pop culture and nostalgia content together — in tandem with adopting a black-and-white look and feel to its visual identity and on-air promos. It's promoting the new look with, naturally, a #plussed hashtag on Twitter.Continue reading...

Back in April, PepsiCo announced a global marketing platform, a music-based initiative dubbed Live For Now, with Nicki Minaj as its launch brand ambassador. Already incorporating Twitter as its key social partner for Live for Now, Pepsi is now looking to tap into music fans tuning into the Video Music Awards by signing up for MTV's advertising product, Reverb, which places ads on television, MTV's website and its new WatchWith social TV app simultaneously.

The year-old app, downloaded close to one million times, lets fans follow Facebook comments and tweets about a particular program (along with information about past episodes) and as of three months ago, banner ads were introduced. So tonight, during the MTV Video Music Awards, rapper Minaj will appear in a new Pepsi commercial at 8:30 pm and anyone on the mobile app or MTV.com will see the interactive ad, too. (Minaj recently held a Live for Now concert in New York with Pepsi and Fuse.)

"It is a little bit of the Wild West but what we know the adoption and usage is only growing. We are going to have to have a solution," observed Chad Stubbs, senior director of media for beverages at PepsiCo, to the Wall Street Journal.Continue reading...

Following rumors last fall, Coca-Cola confirmed that it's producing a global TV series to woo teens with music in more than 30 countries during the 2012 Summer Olympic Games.

As a (lightly) branded entertainment extension of its global youth and music-oriented "Move to the Beat" Olympics marketing platform, Beat TV is being distributed in partnership with MTV Networks International, producing 10 episodes aimed at bringing youths some of the cultural flavor and excitement of the Games and its London setting. It's also not to be confused with "Move to the Beat TV," above, a web series Coca-Cola produced for European audiences as part of its Olympic marketing. (Coke's Move to the Beat campaign just picked up a bronze Cannes Lions award for mobile this week.)

While sponsored TV programming isn't new — look at NBC's recent Escape Routes series touting the Ford Escape crossover vehicle — Coke says Beat TV will run as a regular TV show (including channels with official rights to the Olympics and previous ad commitments from Coca-Cola); it won't feel like an infomercial for Coke's official Olympics sponsorship and the brand's presence won't be "overt"; and ad opportunities will be open to other brands.Continue reading...

Pepsi's new global platform — the "Live for Now" cross-platform campaign — has found a friend in MTV. Given that Live for Now is music-based, with tie-ins with Nicki Minaj, Katy Perry, even Michael Jackson, it makes perfect sense for the beverage giant to tie in with MTV Networks, in addition to MTVN's siblings across the youth-skewing Viacom empire, in order to maximize the exposure of the effort.

With social and digital threaded throughout Pepsi's Live for Now (and Viacom's DNA), the upfront-inked partnership means fans will be able to tweet images with individual hashtags, relevant to various Viacom-owned TV shows and digital properties, for a chance to win prizes and get their photos featured in those shows and in Pepsi's advertising efforts in keeping with these Pinteresting, photo-tagging times we live in.Continue reading...

Forbes' piece on Vice breaking the billion-dollar valuation for its mix of original video programming — including Vice's VBS.tv partnership with MTV, YouTube's original-channel push this year and content for MTV and CNN) and branded entertainment partnerships such as the Creators Project with Intel — is as interesting for its insights into Vice as it is for surfacing Tom Freston's role as an advisor to the rising media brand.

The former chairman and CEO of MTV Networks has been keeping a relatively low profile since being chucked out of Viacom in 2006 after disagreeing with Sumner Redstone. Now an entertainment and media investor via his Firefly3 LLC and the chairman of the ONE Campaign, Freston is more committed than ever to social innovation, cause marketing and corporate citizenship, as he outlines in an interview with Kinsey last month.

This week, coffee giant Starbucks announced that the free rides were over. Specifically, the rides on the brand's porcelain thrones.

Starbucks plans to convert its public restrooms to employee-only in New York City. A source told the New York Post that Starbucks is tired of being"the public bathroom in the city" as its own employees wait in long lines to use the facilities. So just as they're apparently getting tired of Wi-Fi sippers camping out for hours in their stores, they're taking away the amenities that make Starbucks a home away from home for many freelancers and job-seekers?

Turns out it's not true, as Starbucks subsequently denied the Post's report. The hullaba-loo came just days before World Toilet Day, a global day of recognition of people who lack adequate sanitation — and giddy writers in desperate need to relieve themselves of scatological puns.Continue reading...

Having relaunched Comedy Central in the US on January 1st, MTV Networks is rolling out the new logo and visual identity to Germany on Oct. 1st.Continue reading...

When it launched in 1983, it was known as The Nashville Network or The National Network or, simply, as TNN. It’s come a long way.

Since the summer of 2003, Spike TV (which subsequently dropped the "TV" part of its monkier) has been solely focused on landing the 18-34 year-old male demographic through the broadcasting of action sports and adventure programming such as the Ultimate Fighting Championship (UFC) and its latest hit show, Deadliest Warrior.

Now the word is that the Viacom/MTV Networks-owned Spike is planning to rebrand again and go after both men and women in the 18-42 year-old set.Continue reading...