Best Global Green Brands 2013

campaign tactics

Intel Launches Ambitious "Visual Life" Campaign

Posted by Barry Silverstein on January 20, 2011 01:00 PM

Intel revolutionized the computer business with the production of powerful, advanced microprocessors. It also revolutionized brand advertising with its 1991 "Intel Inside" campaign, marking the first time a PC component manufacturer successfully communicated directly to computer buyers. To this day, consumers around the world recognize the "bum-bum bum-bum" tune that accompanied its logo animation in the classic Intel Inside television campaign.

Now Intel is boldly expanding on that decade of branding with a new global digital and experiential campaign designed to launch its Second Generation Intel Core Processor family, going visual to pitch its product line as offering "Visibly Smart" performance for the consumer's "Visual Life."

Billed as the brand's "most ambitious" global digital campaign yet, it marks a seismic shift away from its business market positioning to become a consumer brand. A spokesman tells us that the Visual Life campaign does not replace existing slogans like "Sponsors of Tomorrow," nor is it dropping the distinctive audio branding that made it a household name. 

The new campaign's premise, according to Intel, is that "from the moment we are born, we experience life visually. We think, imagine, and even speak in visual terms." Visual Life thus focuses around the visual life of a mainstream consumer and how Intel processors are an essential component of that life.

The campaign debuted at the recent Consumer Electronics Show (CES), where consumers experienced live demos of devices enhanced by the brand's Core Processors, featuring music, film and live entertainment from musicians and VJs.

A Visual Life-branded website acts as the hub for user- and Intel-generated content. Consumers are encouraged to share their experiences and upload creations to the site, which will distribute the content simultaneously to Intel's Facebook and YouTube pages, and vice versa.

The campaign also includes a series of short films that will appear across all Intel digital platforms. The original web films are designed to spark conversation and engage consumers, and will roll out across major markets worldwide this year.

The first film (below) offers a look at the "Visual Life" of American blogger and fashion photographer Scott Schumann, whose blog and personal brand are dubbed "The Sartorialist." The 7-minute film has already logged over 475,000 views. Amsterdam Worldwide, the agency that heads up the brand campaign's social media activity, says this volume has been generated without any social media advertising whatsoever.

The new Visual Life campaign has a human, soft and lush, visually rich feel to it — decidedly different from the iconic 1992 Intel Inside TV commercial, created by George Lucas' Industrial Light and Magic, that took viewers on a fanciful animated trip through the innards of a personal computer.

But times have changed. Now consumers' visual world is more about high quality streamed video on everything from notebooks to tablets to smartphones, than about whiz-bang technology. This modern visual world, apparently, is one that Intel wants to be part of.

Comments

Peter Bonnici United Kingdom says:

One may appreciate Intel's desire to reposition the brand, to refresh its technology image; one may love the new "Sartorialist" film, but I fear that the victim may be Intel's brand distinctiveness. Let's set aside the philosophical nonsense about living primarily in a visual world. The much quoted Biblical statement is: 'In the beginning was the Word', not 'the image'. Language defines us, without language we wont have names, without names we won't have things – the word of thing is ultimately a world of names. And, now here's the point: without sound we wont have language.
So the abandoning of two meaningful sound symbols – the sonic logo and the phrase 'Intel inside' – they have thrown away years of investment and have entered the 'me too' arena of brand indistinctiveness.
Intel marketeers could have refreshed the sonic logo, modernised it. The James Bond filmmakers knew the power of the famous theme music and kept adapting it and re-contexting it continuously. Sonic brand is arguably more powerful in this over saturated visual environment.
Try watching "The Sartorialist" with the sound turned off. Is it really the visuals that hook us? Or is the the story, the music, the sound? But now what if that film ended with that very familiar urbane voiceover saying: "It's a Kodak world"... would we be surprised? Any number of lifestyle brand logos can pop up at the end of such a film and we wouldn't be surprised.
Like Gap nearly did, Intel had better be aware of the potential branding error it is about to make. Brand marketeers abandon their roots at their own peril.

January 21, 2011 04:01 AM #

Barry United States says:

Point well taken, Peter. Thanks for the insightful comment!

January 21, 2011 07:55 AM #

Jing Daily United States says:

Big fan of the Sartorialist - the 475,000 views no doubt comes from the blogosphere: from his own site to the other sites that picked it up (I definitely noticed it on Business of Fashion last week), and while there might not have been a social media advertising budget - social media I'm sure played an effect in the virality of the film, as Scott Shumann's twitter account alone has 97,000+ followers, and he certainly advertised it there on the day of its release.

January 21, 2011 03:59 PM #

Comments are closed

elsewhere on brandchannel

1 2 3 4 5 6 7 8 9
brandcameo2013 Product Placement Awards
Which brand is most bullish on Hollywood?
Coca-ColaIt's the Journey That Matters:
Coca-Cola Opens Up With Story-Based Web Refresh
debateJoin the Debate
What makes a great brand?
BPBP
Branding Comeback Challenges
Digital Watch: WahlAT&T
Rethinking Possible With Transmedia Storytelling
paperGlobal Competitive [Ad]vantage
The latest from GeoEdge
Sheryl Connelly
Sheryl Connelly

Meet Ford's Resident Futurist
Marketing to the New MajorityBranding 123
A primer by Barry Silverstein