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[ILLUSTRATION OMITTED] Specifics and Fancies: Documents Created Mostly for Fun. By Taylor. Delphinium Books. 210 pages. $14.95. No fan of Taylor’s dances must skip this slim grab-bag of philosophical ruminations autobiographical documents skewed stories and outrageous parodies. Private Domain, in his 1987 memoir, the choreographer revealed a literary feeling likely to trendy roleplaying and exaggeration that was whimsical. These sounds are relished by Taylor below. He performs the curmudgeon exceptionally in “Just How To Inform Dancing from Modern.” He claims that in “anything is completed with hard necks, based joints and lifeless arms,” overlooking to share with us that he was employed by Lincoln Kirstein for New York City Ballet.

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Taylor also needles exaggerated authorities, possibly people who like his dances (“Poggie within the Quiet, by Cleave Yarns”), and ridicules know-nothing interviewers in the hinterlands who anticipate you to clarify the meaning of the craft in 25 words or less, on the contract. While Taylor doffs his disguise, he’s extremely intelligent and seriously personalized about an artisanis desires in “Why I Produce Dances” (“because it shortly frees me from dealing with actuality”). He establishes completely solicitous while training a dancing to a few of people (“Two Bozos Noticed Through Glass: An Epiphany”) and turns completely soft, musing about his left pet (“My Dear Dogmatist”). Afew recycled nuggets from Individual Site incorporate Taylor’s visual recounting of the premiere of his first attack. He confesses he didn’t consider a lot of it.

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